Henry Chinaski the anti-hero. He’s loveable and loathable in equal measures. Flawed, lonely, horny and drunk. He’s Jay Gatsby. He’s Dean Moriarty. Hell, Hank Chinaski is Hank Moody (for any Californication fans out there). It’s transgressive fiction at its best. … Continue reading
Today, 11/11/11, at 11am, most of the world will pause for two minutes to remember the ceasefire on the Western Front in 1918. Last year, I featured what could be considered as one of the best-loved and most moving war … Continue reading
Don’t talk to strangers, especially the unassuming, handsome ones! Our parents drum this into our innocent little minds as kids, usually the first time we walk to school ourselves or the first time we are allowed to play beyond their line of sight. Little did we know then that this wise warning was handed down from 17th century Frenchman, Charles Perrault, and his tale of Le Petit Chaperon Rouge, better known as Little Red Riding Hood. The fairy tale genre continues to thrive and nowadays, it’s a big deal on the big screen. But although evolving, what role does the fairy tale play in the modern world?
ONCE UPON A TIME, fairy tales were used to scar virtues and morals into the minds of young children. However, with children now savvier and more informed than ever, it’s difficult to imagine that their behaviour could be influenced simply by reading The Boy Who Cried Wolf or Little Red Riding Hood.
In her article All the Better to Eat You With, novelist Angela Carter recognises that “the notion of the fairy-tale as a vehicle for moral instruction is not a fashionable one.” So with moral instruction becoming less fashionable, what purpose does the fairy tale now serve?
In 1979, Carter radicalised the fairy tale in her collection of short stories, The Bloody Chamber. Taking great care not to parody or pastiche the fairy tales of the Grimm brothers or Perrault, she creates new stories based on old tales to articulate feminist ideas, explore male sexual desires and subvert the traditional roles of fairy-tale women. But The Bloody Chamber is not one for kids! Read the rest of my article on The Flaneur – the indie art and culture magazine and website
Queer by William S. Burroughs has been shelved on my bookcase for the best part of five years. I bought it along with other famed Beat Generation pieces: Jack Kerouac’s On the Road and Burroughs most famed novels, Junky and Naked Lunch. I read On the Road first; an arduous, albeit profoundly rewarding read. Due to On the Road’s unique style, I approach the Beat movement with trepidation. This time I opted for a decidedly slimmer volume: Queer.
A love story?
Written by Burroughs in 1952, and first published in 1985, Queer is the story of William Lee and his attempt to woo Eugene Allerton. The blurb describes Queer as ‘love story’, but describing it as a love story doesn’t quite sit right with me. Instead, it is a story about unrequited love: intense sexual desire and extreme desperation for human contact. Lee’s love interest, Allerton, is uninterested in his relentless advances. Eventually, he expresses curiosity in homosexuality, and succumbs to a physical relationship with Lee, but it becomes increasingly clear that they have differing agendas.
A feeling of deep tenderness flowed out from Lees body at the warm contact. He snuggled closer and stroked Allerton’s shoulder gently. Allerton moved irritably. pushing Lee’s arm away.
Although aware of, and extremely hurt by, Allerton’s disinterest, Lee continues to chase after him. Lee requires an audience and contact: he talks a lot (Allerton, on the other hand, has little to say), he tells fantastical stories and puts on over the top routines in an effort to attract Allerton’s attention. Continue reading
Stewart Conn’s poetry collection, The Breakfast Room, has been shortlisted for the 2011 Scottish Book Awards (you can vote for it here!). The book is inspired by and titled after the Bonnard painting of the same name (which features on the book cover).
I thouroughly enjoyed The Breakfast Room, and visual inspiration really helps to create an atmosphere: it’s humorous, warm, moving, and above all, extremely clever. For a taste of the collection, who better to intorduce and read The Brekfast Room than Stewart Conn himself: Continue reading
So let’s kick things off! In July I will be giving away the four titles that have been shortlisted for The Scottish Book Awards 2011 – find out how to enter the giveaway here! In the non-fiction category, Jackie Kay’s Red Dust Road is one of these titles and I reviewed it a couple of months ago…
Jackie Kay‘s writing oozes ‘normality’, it’s unashamedly honest and at times unapologetically simple. But her personal life has been neither normal nor simple, and her identity has very much influenced her work; a Scottish poet and writer, Kay was born in Edinburgh to a Nigerian father and a Scottish mother. She was adopted at birth by a communist white couple and was brought up in Glasgow.
In Red Dust Road: An Autobiographical Journey, Kay tells us about the journey she took to trace her birth parents. Her journey is a metaphorical and physical one: from Glasgow to Milton Keynes to Aberdeen to Nigeria and back again, to the forked roads and the roads not taken and the long winding roads. Emotionally, the journey is a difficult one, and Kay doesn’t take the easy route. Continue reading
To celebrate the 39th year of The Scottish Book Awards, hosted by Creative Scotland, I will be hosting a giveaway!
In the month of July, you will be given the chance to win all of the four titles shortlisted for this years award. Each of which exemplify Scottish literary excellence:
- Leila Aboulela, Lyrics Alley (fiction)
- Jackie Kay, Red Dust Road (non-fiction)
- Stewart Conn, The Breakfast Room (poetry)
- Sue Peebles, The Death of Lomond Freil (first book)
The winner of the The Scottish Book Awards will have their book named Scottish Book of the Year, and the author will win a whopping £25,000. What’s more, for the first time in the history of the awards, you will be responsible for choosing a winner. The public vote will commence on the 16 May and end on 31 July 2011. So get voting here!! Continue reading
This week, I’m letting my mum loose on Little Interpretations, as she reviews the second book in Larsson’s Millenium Trilogy…
Wow! What a fantastic late-into-the-night page turner. The Girl who Played with Fire is the second book in Millennium trilogy. While I am not a crime / thriller fan, I was encouraged to read Steig Larsson‘s series by my daughter Marie, and I have to say, this book is fantastic.
I had very much misunderstood the concept of the trilogy by making assumptions of what it was about without actually having read a page. I had no interest in it partly because it is based on murder (not my genre of choice) and also because it is set in Sweden. The translated text and Swedish names and places put me off slighty, but how wrong I was.